Monograph Atrio 2 - The Agony of Urban Art

Published: 2021-12-23
 
DOI: https://doi.org/10.46661/atrio.monog.2
Abstract: The public space located art pieces review based on examples in which these artworks no more are perceived as a marginal manifestation. The scene is analyzed from so many different points of view, that sometimes, the urban art tag becomes unrecognizable as it is linked to the institutional scene. It refers to action and context, site specific minority art creativity, where the knowledge of the artists' trajectory, their research and results is essential. It is an urban typology that, without evolving, has led to innumerable versions of itself and generates arduous terminological debates. The creations shift between the purely decorative and the contextual. They move from the figurative to the conceptual. This forces them to break the official barrier in order to not lose their essence. In these pages we consider some of the causes of the possible artistic manifestation agony, tagged by its appearance on the street by a generation of artists that marked two decades between the 20th and 21st centuries.
 
Keywords: context art; site specific; urban art; street art; institutional art; actual art.
 
ISBN: 978-84-09-36627-9
Subject: AB - Arte: aspectos generales and AF - Formas de expresión artística
Editor: Elena García Gayo and Laura Luque Rodrigo
Language: español
Year: 2021
Number of pages: 271

 

 

Articles

Situationism and its Influence on Contemporary Urban Artistic Manifestations: Poetic and Aesthetic Drifts on the Streets and On-line

Sandra Gracia Melero
20-44

 

Repercussions of the Selective Removal of Graffiti in Callejón de los Punkis. Anomaly, Appropiationism or Misunderstanding?

Alberto Santos-Hermo
46-62

 

The Integration of Urban Art into the Public Art System in Tuscany, Italy

Marta Gómez Ubierna
64-89

 

A Lustrum of Contemporary Muralism in Seville (2004-2010)

Pablo Navarro Morcillo
92-113

 

The Effects of Institutional Policies on Contemporary Muralism in Barcelona

Arantxa Berganzo Ràfols
114-145

 

Authoritarianism as an Aesthetic Model in Public Sculpture in Mexico City (2000-2020). A Precedent for other Urban Artistic Typologies

Alma Barbosa Sánchez
146-167

 

Urban Art, Ruin and Conservation. Analysis of Las Meninas de Canido

Andrea Fernández Arcos
168-186

 

Urban Art as Heritage of the Future. Heritage Analysis of Belin’s Work in Linares

Francisco Delgado Chica, Celia Martínez Yáñez
188-220

 

Separation and Speed. The Private Image of Urban Art

Kléver Francisco Vásquez Vargas
222-240

 

The Virtual Image of a Heritage in Constant Change: the Documentation of Urban Art and its Context