Classical reception in fantasy and science fiction
case study of Dune by Frank Herbert
Keywords:
science fiction, Dune, fantasy, mythology, classical receptionAbstract
In this article, the author pretends to establish, through the book Dune by Frank Herbert, that science fiction and fantasy have occupied the place previously reserved to myths, as they offer answers to contemporary human concerns and they shape the new mythology of mass culture society. For this purpose, they inspire themselves in the patterns and archetypes proposed by the Greco-Roman world, making them sites rich in classical reception. Therefore, a theoretical framework is offered to justify this study, which categorizes this work as a paradigmatic example of fantastic science fiction, to later analyze the most relevant classical reception phenomena present in the book. Finally, the author reflects on the role that these studies play in today’s world.
Downloads
References
APPIAH, K. A. (2016): "There is no such thing as western civilization", The Guardian, 9 de noviembre. Disponible en: https://www.theguardian.com/world/2016/nov/09/western-civilisation-appiah-reith-lecture [Consultado el 10 de abril de 2022].
BAKKER, E. J. (2018): Poetry in Speech: Orality and Homeric Discourse, Ithaca, Cornell University Press. Disponible en: https://muse.jhu.edu/book/58017 [Consultado el 12 de enero de 2023]. https://doi.org/10.7591/9781501722776
CAMPBELL, J. (1959): El héroe de las mil caras: psicoanálisis del mito. Traducción de L. J. Hernández, México D.F., Fondo de Cultura Económica.
CHRISTENSEN, J. P. (2015): "Time and Self-Referentiality in the Iliad and Frank Herbert's Dune", en B. M. Rogers y B. E. Stevens (eds.), Classical Traditions in Science Fiction, Nueva York, Oxford University Press, pp. 161-175.
CURCIC, D. (2022) Science Fiction Book Sales Statistics [2023]. Disponible en: https://wordsrated.com/science-fiction-book-sales-statistics/ [Consultado el 7 de abril de 2023].
DIPASQUALE, W. W. (2018): Myth-making and sacred nature: J.R.R. Tolkein's and Frank Herbert's mythopoeic fiction, Tesis doctoral, Drew University, Madison. Disponible en:https://www.proquest.com/openview/3b940dc88dadf62afb5984d3d805dc78/1?pq-origsite=gscholar&cbl=18750 [Consultado el 10 de abril de 2022].
Encyclopedia Britannica: Dune. Disponible en: https://www.britannica.com/topic/Dune-by-Herbert [Consultado el 7 de abril de 2023].
GARCÍA GUAL, C. (1999): Introducción a la mitología griega, Madrid, Alianza Editorial.
HERBERT, B. (2003): Dreamer of Dune: The Biography of Frank Herbert, Nueva York, Tor.
HOFMANN, A., WASSON, R. G., y RUCK, C. A. P. (1980): El camino a Eleusis: una solución al enigma de los misterios. Traducción de F. Garrido, México D. F., Fondo de Cultura Económica.
HOWARD, K. T. (2012): Religious violence in Frank Herbert's Dune series, Tesis de máster, Florida Atlantic University, Boca Ratón. Disponible en: https://fau.digital.flvc.org/islandora/object/fau%3A3929/datastream/OBJ/view/Religious_violence_in_Frank_Herbert_s_Dune_series.pdf [Consultado el 10 de abril de 2022].
JACKSON, R. (2013): Fantasy. Taylor and Francis. Disponible en: https://doi.org/10.4324/9781315015958 [Consultado el 10 de abril de 2022].
JAUSS, H. R. (2013): La historia de la literatura como provocación. Traducción de J. Godo Costa y J. L. Gil Aristu, Madrid, Gredos.
KELLEGHAN, F. (ed.) (2002): Classics of Science Fiction and Fantasy Literature, Pasadena, Salem Press Inc.
KYLE, D. G. (2000): Spectacles of death in ancient Rome, Londres, Routledge. Disponible en: https://doi.org/10.4324/9780203006351 [Consultado el 12 de enero de 2023].
KUNZRU, H. (2015): "Dune, 50 years on: how a science fiction novel changed the world", The Guardian. 3 de julio. Disponible en: https://www.theguardian.com/books/2015/jul/03/dune-50-years-on-science-fiction-novel-world [Consultado el 7 de abril de 2023].
MCADAMS, D. (2000): Dune does it for Sci Fi. Broadcasting & Cable. 11 de diciembre. Disponible en: https://www.nexttv.com/news/dune-does-it-sci-fi-95665 [Consultado el 7 de abril de 2023].
MCCONNELL, J. (2016): "Introduction", en J. McConnell y E. Hall (eds.), Ancient Greek Myth in World Fiction since 1989, Londres, Bloomsbury Publishing Plc, pp. 1-11.
MULCAHY, K. (1996): "The Prince on Arrakis: Frank Herbert's Dialogue with Machiavelli", Extrapolation, 37 (1), pp. 22-36. Disponible en: https://www.proquest.com/openview/d2a5673b0a094cd3d2270277abe10f2f/1?pq-origsite=gscholar&cbl=1820923 [Consultado el 12 de enero de 2023]. https://doi.org/10.3828/extr.1996.37.1.22
PALUMBO, D. (1997): ""Plots Within Plots… Patterns Within Patterns": Chaos-Theory Concepts and Structures in Frank Herbert's Dune Novels", Journal of the Fantastic in the Arts, 8 (1), pp. 55-77. Disponible en: https://www.jstor.org/stable/43308280 [Consultado el 10 de abril de 2022].
ROGERS, B. M. (2018): ""Now Harkonnen Shall Kill Harkonnen": Aeschylus, Dynastic Violence and Twofold Tragedies in Frank Herbert's Dune", en R. F. Kennedy. (ed.), Brill's Companion to the Reception of Aeschylus, Leiden, Brill, pp. 553-581.
https://doi.org/10.1163/9789004348820_025
ROGERS, B. M., y STEVENS, B. E. (2017): "Introduction: Fantasies of Antiquity", en B. M. Rogers y B. E. Stevens (eds.), Classical traditions in Modern Fantasy, Nueva York, Oxford University Press, pp. 1-22. https://doi.org/10.1093/acprof:oso/9780190610050.003.0001
ROGERS, B. M., y STEVENS, B. E. (eds.) (2015): Classical traditions in Science Fiction, Nueva York, Oxford University Press.
RÓMAR, A. (2009): "El mito y la ciencia ficción: polos de la explicación imaginaria de la realidad", en T. López Pellisa y F. A. Moreno Serrano (eds.), Primer Congreso Internacional de literatura fantástica y ciencia ficción, Madrid, Asociación Cultural Xatafi: Universidad Carlos III de Madrid, pp. 815-825. Disponible en: https://e-archivo.uc3m.es/handle/10016/8833 [Consultado el 10 de abril de 2022].
SAID, E. W. (2003): Orientalismo. Traducción de M. L. Fuentes, Barcelona, Debolsillo.
SHIPPEY, T. (2002): "Science Fiction and Fantasy", en F. Kelleghan (ed.), Classics of Science Fiction and Fantasy Literature, Pasadena, Salem Press, Inc, pp. 1-12.
SILLIMAN, B. A. (1996): Conserving the balance: Frank Herbert's Dune as propaganda, Tesis doctoral, Universidad de Rhode Island, Kingston. Disponible en: https://digitalcommons.uri.edu/dissertations/AAI9702075/#:~:text=Conserving%20the%20Balance%3A%20Frank%20Herbert's%20DUNE%20as%20Propaganda%20examines%20Herbert's,of%20the%20attempts%20at%20propagandizing [Consultado el 10 de abril de 2022].
Sony Pictures Classics (2014): Jodowowsky's Dune | Official Trailer HD (2014). [Vídeo online]. Disponible en: https://www.youtube.com/watch?v=m0cJNR8HEw0 [Consultado el 7 de abril del 2023].
SPRY, J. (2022): 'Dune' wins 6 Oscars at Academy Awards. Space. 28 de marzo. Disponible en: https://www.space.com/dune-wins-6-oscars-academy-awards-2022 [Consultado el 7 de abril de 2023].
TORRES MEZA, L. F. (2010): The Bene Gesserit in Frank Herbert's Dune: An analisis, Tesis de grado, Universidad de Islandia, Reikiavik,. Disponible en: https://skemman.is/bitstream/1946/7298/1/Bene_Gesserit_Luis_Torres.pdf [Consultado del 10 de abril de 2022].
VALENTE, C. M. (2018): "Just your average Tuesday-morning Minotaur" en B. M. Rogers y B. E. Stevens (eds.), Once and Future Antiquities in Science Fiction and Fantasy, Londres, Bloomsbury Publishing Plc, pp. 200-203. https://doi.org/10.5040/9781350068971.ch-014
WEINER, J. (2017): "Classical Epic and the Poetics of Modern Fantasy", en B. M. Rogers y B. E. Stevens (eds.), Classical Traditions in Modern Fantasy, Nueva York, Oxford University Press, pp. 25-46. https://doi.org/10.1093/acprof:oso/9780190610050.003.0002
Fuentes primarias
HERBERT, F. (2021): Dune. Traducción de D. Santos, Barcelona, Penguin Random House Grupo Editorial.
PLINIO EL VIEJO, Historia natural: libros VII-XI. Traducción de A. Fontán, I. García Arribas, E. del Barrio y M. L. Arribas, Madrid, Gredos.
Downloads
Published
How to Cite
Issue
Section
License
1. Authors retain copyright and grant the journal the right to be the first to publish the work and to do so under a "Creative Commons Attribution-NonCommercial 3.0 Spain" (CC-by-nc-sa) licence, unless otherwise indicated.
2. This licence allows others to share, copy, distribute and publicly communicate the work, as well as to make derivative works as long as the work is attributed to the author(s), is not used for commercial purposes and is shared under the same licence.
You can consult the informative version and the legal text of the licence here. This must be expressly stated in this way when necessary.
3. Authors may separately enter into additional agreements for the non-exclusive distribution of the version of the work published in the journal (e.g. placing it in an institutional repository or publishing it in a book), with an acknowledgement of its initial publication in this journal.
4. Authors are allowed and encouraged to disseminate their work electronically (e.g., in institutional repositories or on their own website) before and during the submission process, as it may lead to productive exchanges, as well as earlier and higher citation of published work (see The Effect of Open Access).