El Cuerpo como símbolo de emancipación política: dos casos relevantes en el arte contemporáneo colombiano María Evelia Marmolejo y Nadia Granados

Authors

Keywords:

Contemporary Colombian art, feminine body, performance, political empowerment, poetic reaction against impunity

Abstract

This article proposes an analysis regarding the repercussion of the body as a territory of political action and performance as a means of reacting to injustice and impunity about some events in Colombia linked to the violation of human rights, such as: forced disappearances, massacres, displacements, sexual violence and ecological exploitation, In the time frame of 1980 to date, from the works of María Evelia Marmolejo and Nadia Granados. Throughout this text a reflection is established about the way in which these artists assume their body as a discursive element of high impact, capable of questioning and confronting relevant aspects of the sociopolitical reality of the country.

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Published

2016-03-10

How to Cite

Bautista Santos, Sandra Patricia. 2016. “El Cuerpo Como símbolo De emancipación política: Dos Casos Relevantes En El Arte contemporáneo Colombiano María Evelia Marmolejo Y Nadia Granados”. Atrio. Revista De Historia Del Arte, no. 22 (March). Sevilla, España:204-17. https://upo.es/revistas/index.php/atrio/article/view/3080.

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Section

Articles