El Cuerpo como símbolo de emancipación política: dos casos relevantes en el arte contemporáneo colombiano María Evelia Marmolejo y Nadia Granados

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DOI:

https://doi.org/10.46661/atrio.3080

Keywords:

Contemporary Colombian art, feminine body, performance, political empowerment, poetic reaction against impunity

Abstract

This article proposes an analysis regarding the repercussion of the body as a territory of political action and performance as a means of reacting to injustice and impunity about some events in Colombia linked to the violation of human rights, such as: forced disappearances, massacres, displacements, sexual violence and ecological exploitation, In the time frame of 1980 to date, from the works of María Evelia Marmolejo and Nadia Granados. Throughout this text a reflection is established about the way in which these artists assume their body as a discursive element of high impact, capable of questioning and confronting relevant aspects of the sociopolitical reality of the country.

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Published

2016-03-10

How to Cite

Bautista Santos, S. P. (2016) “El Cuerpo como símbolo de emancipación política: dos casos relevantes en el arte contemporáneo colombiano María Evelia Marmolejo y Nadia Granados”, Atrio. Revista de Historia del Arte. Sevilla, España, (22), pp. 204–217. doi: 10.46661/atrio.3080.

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Articles