Retratando el microcosmos colonial. Melchor Pérez Holguín y la “Entrada del arzobispo virrey Morcillo a Potosí”

Authors

Keywords:

Reception, Viceroys, Lima, Pérez Holguín

Abstract

This articule will use the painting of Melchor Pérez Holguin as a frame­work for understanding the social world of eighteenth-century Potosí. We will analyze the many allegories, using the party as a reinforcement of the authority of the elites and the colonial power, jurisdictional differences and the corporate world of the colonial Indian city. Melchor Pérez Holguín painting is undoubtedly a valuable pictorial document that leads us to discover the social and political life of American colonial world.

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Published

2011-03-01

How to Cite

Angeli, Sergio. 2011. “Retratando El Microcosmos Colonial. Melchor Pérez Holguín Y La ‘Entrada Del Arzobispo Virrey Morcillo a Potosí’”. Atrio. Revista De Historia Del Arte, no. 17 (March). Sevilla, España:77-90. https://upo.es/revistas/index.php/atrio/article/view/549.

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Articles