Where the forgotten sounds live
the factories inhabited by working women in Murcia during the first Franco regime (1939-1959)
DOI:
https://doi.org/10.46661/ambigua.4957Keywords:
Place, violence, collective singing, working women, heritage, oblivionAbstract
The main objective of this article is to show the social plots of some of the vegetable preserves factories in the Region of Murcia during the first Franco regime (1939-1959). For this, the legislative aspects are taken into account, but above all it starts from the oral memory of some of the workers. In this way we relate the amalgam of joys and sorrows of the workers, showing the violence exerted by those who exercise power. Finally, we show how through singing the workers could make certain replies to some of the speeches held by those who exercised violence.
Downloads
References
ARIÑO VILLAROYA, Antonio. «A invenció do patrimonio cultural e a sociedade do risco», Grial: Revista galega de cultura. Nº 149, 2001.
AUGÉ, Marc. Los «no lugares»: espacios del anonimato. Una antropología de la sobremodernidad. Barcelona: Gedisa, 2008 [1992].
AYATS I ABEYÀ, Jaume. Cantar a la fàbrica, cantar al coro: Els cors obrers a la conca mitjana del Ter. Vic: Eumo, 2008.
BABIANO, José. «Introducción», a José BABIANO (ed.), Del hogar a la huelga: trabajo, género y movimiento obrero durante el franquismo. Madrid: Catarata (2007) 17-24.
BOURDIEU, Pierre. La dominación masculina. Barcelona: Anagrama, 2008 [1998]
CASCALES, Pedro L. Las chimeneas industriales de Alcantarilla. Alcantarilla: Ferretería Zapata, 2001.
CARNÉS, Luisa. «Cómo gana para su ajuar las muchachas de la huerta», Revista Estampa 441: Madrid. Luisa Carnés (1936) 15-17.
DE CERTEAU, Michel. La invención de lo cotidiano. Mexico: Universidad iberoamericana. Departamento de Historia. 1990 [1996].
DERRIDA, Jacques. El siglo y el perdón seguida de Fé y saber. Buenos Aires: Ediciones de la Flor, 2003.
FOUCAULT, Michel. Vigilar y castigar. Madrid: Siglo XXI, 1975.
GONZÁLEZ MARTÍN, Carmen. «Anarquistas de Ayer y de Hoy», Diacronie 7: 3,documento 16, 2011. Link: https://journals.openedition.org/diacronie/3359 [Consultado el 9 de marzo del 2017].
KORCZYNSKI, Marek; PICKERING Michael; ROBERTSON Emma. Rhythms of Labour: Music at Work in Britain. New York: Cambridge University Press, 2013.
LIZARAZU DE MESA, María Asunción. «En torno al folklore musical y su utilización: el caso de las Misiones Pedagógicas y la Sección Femenina», Revista Complutum 6, 2013.
MARTÍNEZ CÁRCELES, Ibán. No habrá paz para las allegadas: El canto colectivo de las mujeres obreras en la Región de Murcia durante el primer franquismo. UAB. Tesis, 2019.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Ibán Martínez Cárceles
![Creative Commons License](http://i.creativecommons.org/l/by-nc-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The authors agree with the following:
1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a license Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).