La paternidad divina hecha hombre. Dos nuevas pinturas de Miguel Cabrera y Juan Patricio Morlete en Sevilla

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Keywords:

Paintings, New Spain, Devotion, Saint Joseph, Iconography, Meanings, Findings

Abstract

From the beggining of the Spanish presence in America, the devotion to Saint Joseph proliferated thanks to the role that performed the religious orders to achieve that the values of this personage empathized with the spiritual needs of those people. With the establishment of its sponsorship on the Viceroyalty of the New Spain enlarged considerably their pictorial representations, being in the 18th century, when the esthetics novohispana, influenced by Murillo, to diffuse a harmonious model with the domestic devotion in which was put of relief the paternalistic facet of San José with the Child as corredentor of the Humanity and model of virtues.

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Published

2010-03-01

How to Cite

Montes González, Francisco. 2010. “La Paternidad Divina Hecha Hombre. Dos Nuevas Pinturas De Miguel Cabrera Y Juan Patricio Morlete En Sevilla”. Atrio. Revista De Historia Del Arte, no. 15-16 (March). Sevilla, España:177-86. https://upo.es/revistas/index.php/atrio/article/view/338.

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Articles